Marina Abramovic and Ulay
Friday, March 29, 2013
Tuesday, March 26, 2013
Architecture on Spiegel
Architecture in Berlin: An Urban Planning Disaster - SPIEGEL ONLINE
Fascinating, albeit brutal review of Berlin's last decade of building.
Fascinating, albeit brutal review of Berlin's last decade of building.
Monday, March 04, 2013
Monday, February 18, 2013
Thursday, February 14, 2013
Monday, February 11, 2013
Mat Collishaw's Paintings
‘You can’t just paint – you have to address the whole history of painting and then make some sort of paradigm shift,’ he says. ‘I’ve been trying to find a way to do this, and this is my solution.’
Friday, February 08, 2013
Friday, February 01, 2013
Thursday, January 31, 2013
Ken Weathersby
Friday, January 25, 2013
Friday, January 11, 2013
Bank Deal Ends Flawed Reviews of Foreclosures - NYTimes.com
 |
| A bank reversed the foreclosure of Christine Lucier, and her home, while empty, was vandalized. |
Bank Deal Ends Flawed Reviews of Foreclosures - NYTimes.com
Saturday, January 05, 2013
DC Installation at Flashpoint, Opening Tonight 6-8!
 |
| Joelle Dietrick + Owen Mundy. Grid, Sequence Me. 2013. Two-channel video installation. Dimensions variable. |
Tuesday, December 11, 2012
Wednesday, December 05, 2012
QR Codes for Digital Nomads
QR Codes for Digital Nomads - Interactive Art by Golan Levin and Collaborators
2011 | Golan Levin and Asa Foster III, for F.A.T. Lab
Thursday, November 01, 2012
Modular Abstraction: A Q&A with Judy Rushin
Modular Abstraction: A Q&A with Judy Rushin on the New American Paintings/Blog
Art for the female expat: "site-specific works that can travel well"...[and]..."reflect our own untethered geographies."
World's Narrowest House
Keret House
World's Narrowest House by Jakub Szczesny
"The house is located between two buildings from two historical epochs. “The first is a brick building on Zelazna Street – a fragment of the pre-world war II city, almost no longer existing. The second – a cooperative concrete apartment building, an element of an “imposed structure”, which was aimed at negating the previous city landscape."
Sunday, October 28, 2012
John Yau on Wade Guyton
http://hyperallergic.com/59288/hidden-in-plain-sight-wade-guytons-dirty-pictures/
 |
Wade Guyton, “Untitled” (2006). Epson UltraChrome inkjet on linen; 90 × 53 in. (228.6 × 134.6 cm). Collection of Mark Grotjahn and Jennifer Guidi. ©Wade Guyton. Photograph by Lamay Photo.
Reverence, citation, mimicry, the absence of the hand, and a destructive impulse — all familiar postmodern positions — coexist in Guyton’s inkjet paintings...his incredibly productive lack of creativity fits right into the by now familiar and even petrified art historical narrative that claims that de-skilling, appropriation, and post-Duchampian/post-studio practice are the only games in town, that everything else is a failure not worth considering.
