Friday, October 04, 2013

Geographies of Collaboration, Berlin

After Year Zero - Geographies of Collaboration I Conference
Exhibition - Conference
Haus der Kulturen der Welt / Berlin
http://hkw.de

Exhibition / 19.09-24.11

The realignment of the world after the Second World War is not recounted
here with regard to the confrontation between the Cold War blocs, but with
a focus on the interweaving of European and African history in the process
of decolonization.

In installations, videos and films , artists such as John Akomfrah and
Jihan El-Tahri examine the attempts to transform the basic conditions of a
Western-dominated modern era. A conference takes up "Geographies of
Collaboration" with a view to the first Asian-African conference, which was
held in Bandung, Indonesia in 1955 and gave rise to the Non-Aligned
Movement.

Conference  / 03-05.10.2013

The panel discussions take as their point of departure the Western,
ideologically dressed-up concept of freedom, of which the Congress Hall,
today the Haus der Kulturen der Welt, itself is a symbol. The building,
conceived as an architectural signal in the Cold War, exemplifies the
humanistic universalism of the "free West" that reordered itself after the
Second World War.

Wednesday, September 11, 2013

Meg Cranston and John Baldessari in Berlin


Real Painting (red farm house), 2013
Acrylic and oil on canvas
106,7 x 91,4 cm / 42 x 36 in.

Thursday, July 11, 2013

Tuesday, June 11, 2013

Artist interview, Walid Raad: a mediator between worlds - The Art Newspaper

Artistic interventions: Walid Raad, Appendix XVIII: Plates 160-237, 2012

Artist interview, Walid Raad: a mediator between worlds - The Art Newspaper

"...when these objects travel overseas, they will change...In the final reckoning, Raad is committed to expressing his political, historical and theoretical concerns in a medium that is emphatically visual. “I’m working with line, colour, shape and form,” he says. “Whether it’s a war or this massive infrastructure, you confront an event like this emotionally, aesthetically, historically, conceptually, and you see an opening for a new form, a gesture that must do justice to the complexity of this experience. Physical universes are being built all the time. How do you build one that doesn’t collapse in a few seconds? That’s a challenge."

Friday, May 24, 2013

The Good Glitch

Doing research into glitch art for upcoming project and most amused by recent news.

http://krugman.blogs.nytimes.com/2013/04/20/the-good-glitch/

And interpreted by Colbert

Monday, May 13, 2013

Expat House Hunters

Hello, expats, just in case anyone is interested and has just bought a home overseas, contact Michelle James to tell your story on House Hunters International.

House Hunters International examples:

- LA to Vienna: http://www.youtube.com/watch?v=UOiump3__Mo 
- Boston to Berlin: http://www.youtube.com/watch?v=pug3NnEGtwc 

Hello everyone,

I thought I would reach out to let you know about the exciting new spin-off show that we have in production here at HHI towers.  The new show is called House Hunters International: Renovation and we are looking for expats who have recently bought fabulous properties and are about to embark on some imminent renovations. Ideally they should be outgoing and fun, aged under 45 and have bought a property within the last few years.

We are looking to film this Summer and for the renovation projects to take up to four months so perhaps a new kitchen, a small extension etc.  We have some budget that would go towards finishing the project which makes it a little more interesting!

Please do get in touch if you have any contacts for people who may be interested in the show.  It would also be lovely to hear your news!

Best wishes,

Michelle

Michelle James
CASTING PRODUCER LEOPARD FILMS
1-3 St Peter's Street, London N1 8JD - +44 20 7704 3300
michelle.james@leopardfilms.com
www.leopardfilms.com

Monday, February 11, 2013

Mat Collishaw's Paintings


























‘You can’t just paint – you have to address the whole history of painting and then make some sort of paradigm shift,’ he says. ‘I’ve been trying to find a way to do this, and this is my solution.’

Saturday, January 05, 2013

Thursday, November 01, 2012

Modular Abstraction: A Q&A with Judy Rushin



Modular Abstraction: A Q&A with Judy Rushin on the New American Paintings/Blog

Art for the female expat: "site-specific works that can travel well"...[and]..."reflect our own untethered geographies."

World's Narrowest House


Keret House

World's Narrowest House by Jakub Szczesny

"The house is located between two buildings from two historical epochs. “The first is a brick building on Zelazna Street – a fragment of the pre-world war II city, almost no longer existing. The second – a cooperative concrete apartment building, an element of an “imposed structure”, which was aimed at negating the previous city landscape."

Sunday, October 28, 2012

John Yau on Wade Guyton

http://hyperallergic.com/59288/hidden-in-plain-sight-wade-guytons-dirty-pictures/


Wade Guyton, “Untitled” (2006). Epson UltraChrome inkjet on linen; 90 × 53 in. (228.6 × 134.6 cm). Collection of Mark Grotjahn and Jennifer Guidi. ©Wade Guyton. Photograph by Lamay Photo.

Reverence, citation, mimicry, the absence of the hand, and a destructive impulse — all familiar postmodern positions — coexist in Guyton’s inkjet paintings...his incredibly productive lack of creativity fits right into the by now familiar and even petrified art historical narrative that claims that de-skilling, appropriation, and post-Duchampian/post-studio practice are the only games in town, that everything else is a failure not worth considering.

Wednesday, August 22, 2012

Documenta 13 Review


Some photos from our excursion at Documenta 13 in Kassel, Germany

Top 5

1. Cardiff / Miller at the train station
2. Theaster Gates at the Hugenot House
3. William Kentridge (not pictured below)
4. Michael Rakowitz
5. Geoffrey Farmer

Oh and our project at Temporary home. More at http://joelledietrick.com/site/packet_switching

Cardiff / Miller iPod tour at the main train station...


Listen to the narrator guide you around the station, while strange performances happen on the screen

























Other people with their tours



















Theaster Gates, 12 Ballads for the Hugenot House

























Michael Rakowitz installation containing fragments of structures demolished by efforts on the part of fundamentalist religions.

























Geoffrey Farmer’s hallway long piece Leaves of Grass cut from five decades of Life Magazine




















Tuesday, August 21, 2012

Rita Ackermann, Expat But Not

Rita Ackermann, We Mastered the Art of Doing Nothing, 1994















From Gean Moreno on Rita Ackermann in the July / August 2012 issue of Art Papers, regarding nuanced variations on expat artists...

A few people who have written about Ackermann have pointed out, mostly in passing or in attempting a clever turn, that she is Hungarian and works in exile. I have never understood what they mean by this. When I read this, I imagine working in one place—although not being there at all—while thinking of another. It has to do with investing energy in territory one has been banished from. I think it was Mary McCarthy who proposed that exiles are people whose entire being is spent in waiting—waiting for something to change back home, for news from family and other dissidents, for attacks from hostile quarters, for opportunities to explain things to the world. I don't see this in Ackermann. I wouldn't even call her an expat. She embodies a different condition, something closer to being a runaway. It's a different kind of subjectivity, shaped by other investments and anxieties. It has little to do with being concerned with what is happening back home and much more to do with figuring out how to make one's inevitably accented work and foreign body whittle a slot—its own slot—in the homogenous field of local expression. A field that, by the very impulse to reproduce that underscores it, is inherently hostile to anything that comes in from the outside. Ackermann's work has to do with arriving. And it concerns itself with this because it's only after arriving, and right before adaptation or acclimation begin their stultifying processes, that one can take flight again, exercising continuous displacement as a way of developing a body of heterogenous but coherent work.

Friday, August 17, 2012

Tuesday, July 17, 2012

Alighiero Boetti Retrospective at Museum of Modern Art


Most pleasant surprises:

'For me the work of the embroidered Mappa is the ultimate in beauty. For that work I did nothing, chose nothing, in the sense that: the world is made as it is, not as I designed it, the flags are those that exist, and I did not design them; in short, I did absolutely nothing; when the basic idea, the concept, emerges everything else requires no choosing' (A. Boetti quoted in Alberto Boatto, Alighiero & Boetti, Ravenna 1984, p. 122).

Link to NYTimes Review

And in Chelsea

1) Leo Koenig, Julika Rudelius, http://www.rudelius.org/
2) "Everyday Abstract--Abstract Everyday," James Cohan, Gabriel Pionkowski is amazing

Saturday, July 07, 2012

RCA Architecture



New Royal College of Art dean of architecture Alex de Rijke will steer students away from proposing unrealisable “paper architecture” and instead focus on how their ideas could be built.

 In an interview with Dezeen at the RCA Show 2012 last month, de Rijke said: “Historically [at the RCA] there’s always been a very strong agenda on paper architecture – the speculative, the work that is provocative but not necessarily make-able.”

 In future, “Students will be encouraged to speculate not just about future uses or programmes or places, but actually speculate about how they will be built,” de Rijke says. “Material experiment will very much become part of the course.”

Wednesday, June 13, 2012

Nate Page - House Beautiful


Suburban Reflecting Pool, 2012
Exhibition in a 1956 ranch style home on a cul-de-sac in the San Gabriel Valley. Above Nate Page's intervention with a mirror.

Tuesday, May 22, 2012

DODGE Gallery: Twisted Sisters

Looks promising. Good roster. Hopefully will make it to NYC before it ends.
Twisted Sister at DODGE gallery, May 19–June 23, 2012.

Tuesday, May 15, 2012

Chair Shell


SIMPARCH, Academy Records, Chris Vorhees and the students of Depauw