Kwon, Miwon, One Place After Another: Site-Specific Art and Locational Identity. Cambridge, MA: MIT Press. 2002.
p 154
Chapter 6: By Way of a Conclusion: One Place After Another
It occurred to me some time ago that for many of my art and academic friends, the success and viability of one's work are now measured by the accumulation of frequent flyer miles. The more we travel for work, the more we are called upon to provide institutions in other parts of the country and the world with our presence and services, the more we give in to the logic of nomadism, one could say, the more we are made to feel wanted, needed, validated, and relevant. Our very sense of self-worth seems predicated more and more on our suffering through the inconveniences and psychic destabilizations of ungrounded transience, of not being at home (or not having a home), of always traveling through elsewheres. Whether we enjoy it or not, we are culturally and economically rewarded for enduring the "wrong" place. We are out of place all too often. Or, perhaps more accurately, the distinction between home and elsewhere, between "right" and "wrong" places seems less and less relevant in the constitution of the self.
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