Monday, July 02, 2012
Friday, June 15, 2012
Wednesday, June 13, 2012
Nate Page - House Beautiful
Suburban Reflecting Pool, 2012
Exhibition in a 1956 ranch style home on a cul-de-sac in the San Gabriel Valley. Above Nate Page's intervention with a mirror.
Tuesday, June 12, 2012
Wednesday, May 30, 2012
Wednesday, May 23, 2012
Tuesday, May 22, 2012
DODGE Gallery: Twisted Sisters
Looks promising. Good roster. Hopefully will make it to NYC before it ends.
Twisted Sister at DODGE gallery, May 19–June 23, 2012.
Twisted Sister at DODGE gallery, May 19–June 23, 2012.
Tuesday, May 15, 2012
Friday, May 11, 2012
Sophie Erlund at Art Cologne 2012 - YouTube
Our friend Sophie talking about personified architectural structures. Love them.
Sophie Erlund at Art Cologne 2012 - YouTube
Friday, May 04, 2012
Wednesday, May 02, 2012
Elisabeth Condon
Enjoy my friend Elisabeth Condon's blog, especially in anticipation of her upcoming exhibition at Dorsh Gallery, Miami. Opens May 11. http://elisabethcondon.blogspot.com/
Breathtaking recent work above...
Monday, April 30, 2012
Keystone Habit Transformed Housing Color
I'm listening to the audiobook The Power of Habits by Charles Duhigg, and he talks about how Alcoa's focus one simple change, improvement of their safety record, transformed the company into a efficient profit-making machine. An unexpected result, flexibility in the coloring of manufactured aluminum siding for houses, helped to reduce waste, lift profits, and exemplified better communication patterns.
Review of the book on Huffington Post
Charles Duhigg: How 'Keystone Habits' Transformed a Corporation
Review of the book on Huffington Post
Charles Duhigg: How 'Keystone Habits' Transformed a Corporation
Wednesday, April 11, 2012
Director Amanda Pope
Quote of the day from director Amanda Pope:
"You need to develop your ability to go and do the most difficult thing in front of you because it’s a more interesting way to live."
From a panel on women in the film biz from the 2010 Santa Barbara Independent Film Festival.
"You need to develop your ability to go and do the most difficult thing in front of you because it’s a more interesting way to live."
From a panel on women in the film biz from the 2010 Santa Barbara Independent Film Festival.
Friday, April 06, 2012
Thursday, March 22, 2012
Tuesday, March 20, 2012
Monday, March 19, 2012
America Underwater
Blog where Americans are sharing their stories about owing more on their house than their house is worth
America Underwater (http://america-underwater.tumblr.com/)
America Underwater (http://america-underwater.tumblr.com/)
Thursday, March 15, 2012
Fuck Yeah Brutalism
Wednesday, March 07, 2012
Monday, March 05, 2012
Saturday, March 03, 2012
Thursday, March 01, 2012
Sunday, February 12, 2012
Isaac Julien's Ten Thousand Waves
Isaac Julien, link to 2010 Guardian review
Just saw Isaac Julien's Ten Thousand Waves at the ICA Boston. Amazing. Attacking a topic like victims of globalization in a nuanced way that resonates and invites dialog.
Monday, February 06, 2012
Friday, January 27, 2012
Wednesday, January 18, 2012
Tuesday, January 17, 2012
The Searchers II
Sasha Bezzubov & Jessica Sucher
American Sikh with portrait of Guru
Gobind Singh, at an international Sikh
boarding school (Amritsar, India)
2006
40 x 50"
Wednesday, December 28, 2011
The Influence of Non-places in the Concept of Latin America
"The Influence of Non-places in the Concept of Latin America" by Eduardo Navas
Curator and theorist, Eduardo Navas, has published an essay he wrote to accompany the Transitio_MX 2009 exhibition which included Anemophilous Formula for Computer Art by Owen Mundy and myself. The essay, “La Influencia de los No-Lugares en el concepto de America Latina.” (English “The Influence of Non-places in the Concept of Latin America”), was published in Spanish in Errata #3, Cultura digital y creación Dec 2010.
Here’s an excerpt of the essay in English. You can read more about (in English) on Eduardo’s blog or the full text is available in Spanish here.
Airplane travel and airports, which have been a key reference in the theory of non-places by both Augé and Ibelings finds direct commentary in Anemophilous Formula for Computer Art. This time-based work consists of a photograph of the Tallahassee Airport Check-in area, which hosts a wall sized reproduction of McClay Gardens Park. In front of the wallpaper image we find: on the left hand side a plant in a pot and on the right a portable fan, next to three airportline-dividing-poles which are connected with a dividing strip, and a dolly cart at the far end. The photograph of the actual lobby is projected on the wall along with a series of numbers, located at the bottom of the screen’s frame, complemented with an algorithmic simulation of Tree Pollen falling surrealistically, while a sound track of birds plays in a loop. In essence the airport check in lounge is turned into a staged moment where the reproduction of a natural environment is treated as a mere decoration.
In Anemophilous Formula for Computer Art the airport as a non-place is taken apart. The image is not only commenting on how parks are careful orchestrations of nature to fit human ideals, but also exposes how this aesthetic has entered the airport, a space of transition, in order to make people feel comfortable upon their arrival or departure. If one tries to believe that what one is looking at is real nature, or even a meta recording of nature, one only needs to notice that the pollen is falling just a bit too perfectly, executing an algorithm meant to appear naturally, magically. This orderliness, this pristine aesthetic, as in the other four selections has a direct link to the control that is inherent in supermodernism: “This boundless space is no dangerous wilderness or frightening emptiness, but rather a controlled vacuum, for if there is one thing that characterizes this age it is total control. The undefined space is not an emptiness but a safe container, a flexible shell.” Anemophilous Formula for Computer Art exposes the type of activity that more privileged migrants perform—those unlikely to work in maquiladoras or any other blue-collar job. Therefore, the wall projection is a commentary on the growing supermodern aesthetic of glocalization, and thus a critical commentary on a specific activity that is ingrained as much in Latin America as well as other regions. Viewers can project themselves into the computerized image, and feel comfortable in the virtual airport lobby; whether the viewer may potentially be in Japan or Mexico is irrelevant because the language of non-places has transcended space in this sense. And therefore makes the conceptualization of a constant migration an issue of class rather than identity.
—Eduardo Navas
Tuesday, December 27, 2011
MASS MoCA :: Sol LeWitt :: Timelapse
MASS MoCA :: Sol LeWitt :: Timelapse
Anticipating the creation of my second temporary wall painting, a nod to Sol LeWitt, whose gesture of instructions was most pure.
More about LeWitt on artsy
Saturday, December 24, 2011
Tuesday, December 13, 2011
Edwin Deen
“Edwin Deen is an artist of comic relief in daily life. Displaying remarkable collections of combined natural and cultural objects which at first sight seem quite trivial, however with a closer look uncover a web of cross associations in shape, color, function and meaning. Using existing objects as mind triggers. Whether the objects are empty shampoo bottles, a juicer, a pressure cooker, parts of a freezer, Deen sorts, organizes and converts the objects stimulating a broad range of associations triggered by his manipulation. Because many of the objects have been stripped of their every day identity their definition becomes undetermined, hereby opening their reading to be interpreted anew.
Edwin Deen’s work and practice is very close to that of a scientific laboratory, with projects like Terra Incognita (2009) showing water and plastic’s ability to transform from solid to liquid to gas undergoing phases of melting and evaporation, his endeavors are of utmost focus however he deconstructs what we “know” as opposed to building on it. In science things are proven based on previously proven facts. Science needs imagination and intuition other wise there would be no progress just as in Edwin Deen’s homespun laboratory the search is into the unknown. In Deen’s work the facts are disappearing and the imagination is physical.”
– TAG
More at http://www.edwindeen.nl/
Sunday, November 20, 2011
Sunday, November 13, 2011
Not Generative
Allan McCollum's project in which he's making a shape for every person. Bizarrely emphasizes that the artist is not "generating" the shapes out of a database or script, but instead labors over them in Illustrator. Curious to know more...
Saturday, November 12, 2011
Wednesday, October 19, 2011
Friday, October 14, 2011
Tomás Saraceno's Cloud Cities
BERLIN ARCH LINK : Cloud Cities at Hamburger Bahnhof
Tomás Saraceno's Cloud Cities (2011) at Hamburger Bahnhof, my favorite art space in Berlin. Reminds me of some of my early expat drawings. Beautiful.
Sunday, October 09, 2011
Zadie Smith on Maximalism
This is how it feels to me | The Guardian
While preparing to give a workshop on complex art forms driven by custom code, I flashback to Norman Bryson's description of Chinese Maximalism in his class on contemporary Chinese and Japanese art. By tapping into Wikipedia magic (however occasionally misguided), I find literary connections and am led to this compelling article by Zadie Smith. Enjoy...
While preparing to give a workshop on complex art forms driven by custom code, I flashback to Norman Bryson's description of Chinese Maximalism in his class on contemporary Chinese and Japanese art. By tapping into Wikipedia magic (however occasionally misguided), I find literary connections and am led to this compelling article by Zadie Smith. Enjoy...
Tuesday, October 04, 2011
Monday, October 03, 2011
Sunday, September 25, 2011
Virtuality, Technology & Feminism in the Museum at the Smithsonian
Virtuality, Technology & Feminism
Knew about this conference too late! Found out about it though a fantastic listserv called Faces about gender and tech. More here: http://faces-l.net/ Attended one of their meetings in Berlin. Important network of fascinating women.
Knew about this conference too late! Found out about it though a fantastic listserv called Faces about gender and tech. More here: http://faces-l.net/ Attended one of their meetings in Berlin. Important network of fascinating women.
Expanding the Documentary
Expanding the Documentary | New Media and Digital Documentary - SUNY Purchase College, NY
Upcoming conference at SUNY Purchase. Slight but important shift in re-thinking community-based work.
Upcoming conference at SUNY Purchase. Slight but important shift in re-thinking community-based work.
Wednesday, September 14, 2011
Tuesday, September 13, 2011
LAURIE FRICK
A long walk thru cardboard from Yaddo 2010 was expanded to 100 ft and reinstalled for the Texas Biennial at Box13 Artspace in Houston 2011...experiments in rhythm using time studies of daily activity logs and sleep charts...More at Laurie Frick
Monday, August 29, 2011
Action Office
Mika Tajima Versus the Cubicle | "New York Close Up" | Art21 - YouTube: artist Mika Tajima
“She needs decor, color, warmth, vitality and something as basic and all inclusive as dignity. She’s an action secretary and she need Action Office.” From an Art 21 about artist Mika Tajima. The same better-living-though-design sentiment that drives my recent work.
Tuesday, July 19, 2011
Sunday, July 17, 2011
Amie Siegel - Black Moon
Amie Siegel - Black Moon
If I was in Stuttgart, I would go see Amie Siegel's Black Moon. Nothing like scenes of armed women wandering around the empty architecture of financial speculation.
Monday, July 04, 2011
Sunday, July 03, 2011
Monday, June 27, 2011
Samantha Barber - Graphic Designer
Samantha Barber - Graphic Designer
Graphic designer / artist Samantha Barber with some work on female expat issues.
Thanks to Janis Conn for the link.
Graphic designer / artist Samantha Barber with some work on female expat issues.
Thanks to Janis Conn for the link.
Saturday, June 25, 2011
All Watched Over by Machines of Loving Grace - video | Culture | guardian.co.uk
All Watched Over by Machines of Loving Grace - video | Culture | guardian.co.uk: "All Watched Over by Machines of Loving Grace"
Tuesday, June 07, 2011
Passive House
Last week we went on an excellent Creative Sustainability Tour given by the Institute for Creative Sustainability. More information here: http://id22.net/en/
Favorite stop: Passivhaus Schoenholzer Strasse (pictured above). More information at http://deo-berlin.de/
Thursday, June 02, 2011
Wednesday, June 01, 2011
Hiroshima: Ground Zero 1945 | International Center of Photography
Hiroshima: Ground Zero 1945 | International Center of Photography
Once-Classified Photos of Ground Zero Hiroshima
Commissioner of Good Taste
In two weeks we'll be in Cinque Terre where the colors of houses are regulated by the a commissioner of good taste in the regional government. Really.
Tuesday, May 31, 2011
Case-Shiller Index Expected to Show New Low in House Prices - NYTimes.com
Case-Shiller Index Expected to Show New Low in House Prices - NYTimes.com
Quotes from the article:
- After every giddy boom comes the hangover, they acknowledge, but that deep-rooted desire for a castle of one’s own quickly reasserts itself.
- No one ever renovated the kitchen or redid a room for the kids in a rental...
Reminds me of our recent visit to Dresden. On a tour of the city, our tour guide mentioned that when the wall fell, her parents bought their home and did renovations. She explained that few people did renovations, especially outside of their homes, when they were state-owned.
Quotes from the article:
- After every giddy boom comes the hangover, they acknowledge, but that deep-rooted desire for a castle of one’s own quickly reasserts itself.
- No one ever renovated the kitchen or redid a room for the kids in a rental...
Reminds me of our recent visit to Dresden. On a tour of the city, our tour guide mentioned that when the wall fell, her parents bought their home and did renovations. She explained that few people did renovations, especially outside of their homes, when they were state-owned.
Sunday, May 29, 2011
Architecture + Art at UCSD
Kyong Park. 24620. Ongoing.
24620, a Kyong Park project, is an abandoned house from Detroit in search of a new home. The house was cut up so that it could be moved and re-assembled anywhere in the world. It is a 'fugitive house,' running from the city of Detroit, which has destroyed or burned more than two hundred thousand homes in the last fifty years.
24620 desperately extends its existence by travelling. Its first journey was made in April, 2001, when it crossed the Atlantic Ocean, and was re-constructed and presented in the 3rd annual Archilab exhibition in Orléans, France. Since then, it has been to five other European cities, and continues on.
With its pieces misplaced and their incisions permanent, the house, when re-assembled, replicates the condition of a dysfunctional city in the violence of dismembered spaces. Wherever it may go, the house takes the ideals and failures of modernism with it, creating discourses on the cultural state and destiny of each community.
Architecture folks affiliated with my alma mater, UCSD. Important work. Hurrah.
Teddy Cruz
Kyong Park
James Enos
Sam Kronic